Sunday Reading (Part One)
Getting Born

Sunday Reading (Part Two)

Wizrd“I am Oz, the great and terrible. Who are you, and why do you seek me?”

When I was in Kansas in October last year, spending Fall Break with my daughter, I found a beautiful Penguin Threads edition of The Wizard of Oz in a bookstore, softbound yet housed in a multicolor, textured cover, with a long introduction about the author, L. Frank Baum, and annotations throughout. Never having read the story, I decided to spring for it. I didn’t like the movie — scary as a child, creepy now — and yet I knew the story was a bit different and, besides, the tactile pleasure of holding a book with a great cover is a pleasure.

Yet Baum’s words are even better. I was hooked from the first page with his description of the spartan homestead “in the midst of the great Kansas prairies,” the “great gray prairie on every side,” where the “sun had baked the plowed land into a gray mass,” and a house that “was dull and gray as everything else,” and Uncle Henry who never laughed and Aunt Em who covered her ears and screamed when Dorothy would laugh. There’s a theme here. Not enticing. And not accurate, really, as the Kansas prairie glows golden in the sun, and even in the Flint Hills rises and falls, beautiful in its own way. But Baum is interested in contrast, his opinions of the harshness of rural life coloring his perceptions.

I’ll read that book. It’s a keeper, even if a tad dark. At least there are no singing munchkins.

While I have had great use for books on Christianity and the Arts, Jerram Barrs’ Echoes of Eden is one I will store for reference. It’s an elucidation of themes more succinctly stated in Francis Schaeffer’s classic Art and the Bible, from the late Sixties, still a valuable guide. Barrs was a long-time L’Abri worker and associate of Schaeffer and now heads the Francis Schaeffer Institute at Covenant Seminary, so it’s no surprise he echoes his mentor. However, his chapters on Tolkien, Lewis, Harry Potter, Shakespeare, and Jane Austen may appeal to those who are looking for fresh insight into those authors and/or books. No munchkins here, thank goodness.

Another book on art and faith, For the Beauty of the Church: Casting a Vision for the Arts, is a great collection of essays you can dip into without wholly committing to the whole read. Essayists include Lauren Winner, Eugene Peterson, and Jeremy Begbie. I read Peterson’s “The Pastor: How Artists Shape Pastoral Identity,” and Barbara Nicolosi’s “The Artist: What Exactly Is an Artist, and How Do We Shepherd Them,” as I know a lot of artists and realize they have the capacity to provoke and disturb and bless all at the same time, and yet we don’t always receive them well. I’m saving this one, at least to read Lauren Winner, one day. And maybe, one day, in toto. Maybe on my way to Kansas.

My wife went to The Gospel Coalition Women’s Conference, from which I was excluded, even though I grew up with three sisters, talk to women better than men (well, women talk more and about more things), and wanted to go to Orlando. (Really, I wanted her to go, and I watched online, so went anyway and didn’t have to worry about having the right clothes or hair.) She brought me the book, Crazy Busy, by Kevin DeYoung, which, thankfully, is mercifully short (as its subtitle says). The cover has a person running with an exclamation mark for his head. I feel that way sometimes. One chapter is entitled “A Cruel Kindergarchy - Diagnosis #3: You Need to Stop Freaking Out Over Your Kids.” I better read that. In fact I better read the whole book. It’s only 118 pages long. I can do this. I detect in its pages heart, courage, and brains, and I need more of those in the whirling of my days.

That dastardly devil, Screwtape, has been annotated as well. The annotated edition of C.S. Lewis’s The Screwtape Letters has red lettered annotations in the side column of each page, so you need not keep flipping to the endnotes. I like that, because when I have to flip to the endnotes, I get irritated eventually, like Oz, like “Ain’t nobody got time for this.” This hardbound edition of letters from Screwtape’s letters to Wormwood, the lesser devil, has beautifully large type (it’s kind of like a large print edition without being saddled with that moniker). His comment in Letter 13, that “It seems to me that you take a great many pages to tell a very simple story,” is what most people might say about lawyers, those henchmen of the Devil, stacking word on word to obfuscate. But I digress. I love this book, will read it again, and may even write a few more of my own such letters. Screwtape, like Oz, is terrible but cowardly, all smoke and lights behind his curtain. An impostor.

Nepal may as well be over the rainbow given how far away and remote it is. At the Foot of the Snows is an account of the late David E. Watters and family, who lived among the unknown Khami Magar of that mountain country, translating the Scripture into the Kham language. Never heard of this family, but I’m glad for however this book came to my attention, as it is engaging and inspiring, in even its first few pages shining with honesty and God’s providential care. I was on board after the Forward by Pastor Mike Jones, where he says that “the account of David and Nancy’s walk of faith encouraged me to embrace the story God is seeking to write in and through my life.” That’s not an original thought, but it continues to excite me — the idea of God as Author not just of life but of my life. I have 56 years of story, and yet I have an eternity of character development and plot ahead of me. There are amazing quotes here that preface each not-too-long chapter, like this one by Kenneth Hale: “Every language is a unique and collective human genius, as divine and endless a mystery as a living organism.” Makes you think, doesn’t it? And yet it’s not just language that is wonderfully mysterious but literally everything, inscrutable.

If nothing else books like this remind me that life is not, as Baum said, just a different shade of gray, an endless prairie of the mundane, drab and unchanging. It’s an adventure, full of color and mystique. Full of books, and companionship, and a yellow brick road and a real Oz that one day will take us Home where we’ll have all the heart and brain and courage we need. And looks. And better songs.

And that is a good place to end on a Sunday afternoon. “Oh, Aunt Em, I’m so glad to be home again!”

 

 

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